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Dream Traces. Exhibition catalogue
Dream Traces.
Australian Aboriginal Bark Paintings
Edited by Roberta COLOMBO DOUGOUD and Barbara MÜLLER
Exhibition catalogue. Gollion: Infolio editions / Geneva: Musée d'ethnographie, 176 pages.
N° ISBN 978-2-88474-198-9.
Price: 25 CHF.
Following the European colonisation of Australia, the Aborigines came to be thought of as one the most primitive people on Earth and denied all artistic sensibility. Since the 1950s, however, their artworks have been discovered by anthropologists and art dealers. Today, Australian Aboriginal culture is arousing growing interest and admiration, with acrylic or bark paintings on display in ethnographic museums, art galleries and museums, and avidly sought by art collectors.
This book is devoted to bark paintings from Australia, particularly from the regions of Arnhem Land and Kimberley. The illustrations present the collection of the MEG and other Swiss museums. The images reproduced in this volume exemplify the artistic and symbolic qualities of these barks, which are still used during Aboriginal rituals for the transmission of their sacred knowledge.
Several international specialists present their analysis and interpretation of the bark paintings, their historic and cultural role, as well as their current place in the contemporary art market. They demonstrate how the Aborigines have entered the international art market and given their paintings a political dimension, helping them to assert their identity, support their land rights claims and return to their ancestral homelands.
Contents
Foreword
Boris Wastiau
"Miny'tji Wanawuy Narakawuy": Paintings are the Backbone of the Land and Sea
Joe Neparrna Gumbula
Introduction
Roberta Colombo Dougoud, Christian Delécraz and Barbara Müller
1 Work of Art and Act of Identity: Bark Painting Motifs
"These paintings tell us who we are": the Foundations of Aboriginal Art from Northern Australia
Jessica De Largy Healy
Materials and Pigments
Jessica De Largy Healy
2 Dream Traces: Selected Barks
Reflections on the Constitution of a Collection
Roberta Colombo Dougoud and Barbara Müller
Water, Earth and Sky
Myths
Secular and Sacred Life
Spirits
Tiwi
Animals
From Dreaming to the Outside World: the Ebb and Flow of Traces…
3 Circulating Dreams: from Aboriginal Lands to the Art Market
From Ritual Grounds to Western Collections: Painting as a Political Act
Jessica De Largy Healy
Ritual and Political Networks among Aborigines in Northern Australia. Ancestral Pathways Across the Seas
Barbara Glowczewski
Bark Painters and their Market
Luke Taylor
The Recognition of Aboriginal Art and the Building of Collections
Howard Morphy
Bibliography
Maps
Authors
Acknowledgements